<?xml version="1.0" encoding="UTF-8"?>
<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns="http://purl.org/rss/1.0/" xmlns:dc="http://purl.org/dc/elements/1.1/">
  <channel rdf:about="http://hdl.handle.net/1974/833">
    <title>QSpace Community:</title>
    <link>http://hdl.handle.net/1974/833</link>
    <description />
    <items>
      <rdf:Seq>
        <rdf:li rdf:resource="http://hdl.handle.net/1974/7874" />
        <rdf:li rdf:resource="http://hdl.handle.net/1974/7181" />
        <rdf:li rdf:resource="http://hdl.handle.net/1974/5182" />
        <rdf:li rdf:resource="http://hdl.handle.net/1974/5161" />
      </rdf:Seq>
    </items>
    <dc:date>2013-05-23T22:50:02Z</dc:date>
  </channel>
  <item rdf:about="http://hdl.handle.net/1974/7874">
    <title>A Rome Away From Rome: Isidorus Hispalensis and Roman Astronomical Traditions in Medieval Spain</title>
    <link>http://hdl.handle.net/1974/7874</link>
    <description>Title: A Rome Away From Rome: Isidorus Hispalensis and Roman Astronomical Traditions in Medieval Spain
Authors: Finan, ALICIA
Abstract: In the past the works of Isidorus Hispalensis have been regarded as nothing more than a rehashing of the works of earlier ecclesiastical authors, with no direct reference to Roman sources.  He has been called at best a compiler and at worst a plagiarist.  However, a greater understanding of the historical context shows that it is likely that Isidorus Hispalensis was working directly from Roman sources.  In addition, by studying the historical context within which Isidorus is writing, evidence of his originality is seen in his ability to cater specific works to his specific context.  By outlining Rome’s presence in Spain from the very beginning, as well as the changing understanding of the barbarian invasions, I show through a study of the astronomical chapters of Isidorus Hispalensis’ De Natura Rerum that Roman traditions in Spain persisted well into the Visigothic period, and that Isidorus Hispalensis is a perfect symbol of the survival of Roman culture after the fall of the western Empire.
Description: Thesis (Master, Classics) -- Queen's University, 2013-04-12 17:33:29.356</description>
    <dc:date>2013-04-15T04:00:00Z</dc:date>
  </item>
  <item rdf:about="http://hdl.handle.net/1974/7181">
    <title>The Rise of Nemausus from Augustus to Antoninus Pius: A Prosopographical Study of Nemausian Senators and Equestrians</title>
    <link>http://hdl.handle.net/1974/7181</link>
    <description>Title: The Rise of Nemausus from Augustus to Antoninus Pius: A Prosopographical Study of Nemausian Senators and Equestrians
Authors: Whitfield, Hugo
Abstract: Prosopography seeks to learn about social patterns and establish relationships within a well-defined group of individuals, which is accomplished by studying their biographies and analyzing the data within defined parametres.  The adlection of provincials into the equestrian and senatorial orders started during the late Republic and continued into the early Principate.  It integrated provincials into Rome’s social and political systems and provides the opportunity to closely examine how their roles evolved as time passed during the early Roman Empire.  This thesis will show that Nemausus, a provincial tribal settlement in Gallia Narbonensis, was one of the most important towns of the Roman Empire during the early Principate and achieved its prominence through sustained production of senators from Augustus to Marcus Aurelius and, in particular, through its prominent role during the dynasty of the Five Good Emperors.  The role of its equestrians and their inability to attain the highest offices of their order will be discussed.  Chapter Three will focus on Nemausus’ physical transformation as it was converted from a Celtic settlement into a Roman colony, and will lay the groundwork for its rise in the established social structures.  Chapter Four will provide a detailed examination of Nemausian equestrians, evaluate their careers individually and illustrate how indispensable they were to Nemausus’ growth even if they did not attain the highest offices within their order.  Chapter Five will focus on Nemausian senators much in the same manner as the previous chapter.  Unlike their equestrian counterparts, Nemausian senators attained great heights in Rome, becoming generals, consuls, and advisors to the emperor.   Eventually they became the Imperial family itself, placing the provincial town at the forefront of the Western Roman Empire.  Chapter Five will also propose to narrow the scope of Syme’s Hispano-Narbonensian nexus to include only the towns of Italica and Nemausus due to their influence during the dynasty of the Five Good Emperors.  A variety of evidence will be used throughout the discussion, in particular epigraphical and literary sources.  By examining the careers of Nemausian elites, their impact on the Roman Empire and their native town’s increased status, will be discovered.
Description: Thesis (Master, Classics) -- Queen's University, 2012-04-26 16:30:58.26</description>
    <dc:date>2012-05-02T04:00:00Z</dc:date>
  </item>
  <item rdf:about="http://hdl.handle.net/1974/5182">
    <title>Troilos Infelix: The Prevalence of the Achilles and Troilos Death Myth on Attic "Tyrrhenian" Group Neck-Amphorae and in the Etruscan Pictorial Tradition</title>
    <link>http://hdl.handle.net/1974/5182</link>
    <description>Title: Troilos Infelix: The Prevalence of the Achilles and Troilos Death Myth on Attic "Tyrrhenian" Group Neck-Amphorae and in the Etruscan Pictorial Tradition
Authors: Sampson, David Douglas Quarles
Abstract: This thesis will look at the depiction of the Achilles and Troilos death myth on the Attic Black-Figure “Tyrrhenian” Group and its possible influence in Etruria from the mid 6th century BC to the Hellenistic period.  The appearance of this Attic-made export ware in Etruscan sites of the 6th century BC, distribution of extant group pots with known provenance along with the emulation of the “Tyrrhenian” neck-amphora style and narrative frieze content in mid to late 6th century BC Etruscan pottery supports evidence for the popularity of the group amongst the Etruscan population.   I will approach my investigation in Chapter Three by first giving an overview of the construction and decoration of the Attic-made “Tyrrhenian” Group and listing the variety of traits that characterize this group as being a true case of Athenian export product to Etruria.&#xD;
In Chapter Four I will focus on the appearance of the Achilles and Troilos myth on pots of the “Tyrrhenian” Group and trace the development of the myth’s iconography in Greek art starting in the mid 7th century BC.  In Chapter Five I will focus on the appearance of the myth in Etruscan art in the mid 6th century BC and its subsequent development in Etruscan mythology through the analysis of Etruscan-made specimens.  I will also attempt to give a reasoning behind the Etruscans’ adaptation of the Greek myth into their corpus.
Description: Thesis (Master, Classics) -- Queen's University, 2009-09-22 13:27:11.548</description>
    <dc:date>2009-09-23T21:06:28Z</dc:date>
  </item>
  <item rdf:about="http://hdl.handle.net/1974/5161">
    <title>SIDERA AUGUSTA: The Role of the Stars in Augustus' Quest for Supreme Auctoritas</title>
    <link>http://hdl.handle.net/1974/5161</link>
    <description>Title: SIDERA AUGUSTA: The Role of the Stars in Augustus' Quest for Supreme Auctoritas
Authors: CARSWELL, CHRISTOPHER J A
Abstract: Auctoritas was the foundation of Augustus' legitimacy, success, and survival in Roman politics. The necessary precondition of successfully founding political legitimacy upon auctoritas, however, was that Augustus' auctoritas had to be supreme. This thesis will show that one of the most important ways Augustus achieved supreme auctoritas was by integrating himself into traditional beliefs about the stars and by harnessing the associations with the divine and supernatural that were latent in these beliefs. Augustus reinforced his association with these beliefs by employing a number of powerful symbols drawn from among the stars. Chapters Two and Three will focus upon one of these symbols, the sidus Iulium (the comet of Caesar). Chapter Two will demonstrate how Augustus harnessed the general acceptance of Caesar's astral apotheosis (catasterism) and of catasterism in general in the Roman world at that time and then used the sidus Iulium as a symbol of his connection with Divus Iulius and of his own semi-divine status. Chapter Three will explore how Augustus promoted the sidus Iulium as the harbinger of a golden age for the Roman people and as an omen of the fact that it was his destiny to lead them into it. Chapter Four will turn to another astral symbol, the constellation Capricorn. This chapter will examine how Augustus integrated himself into the greatly popular discipline of astrology and used its language of fate to promote himself as a man of great destiny. Throughout we will consider a variety of evidence, particularly numismatic and literary. This will help us to achieve the fullest possible picture of the lengths to which Augustus went to create a useful ally of the stars in his never-ending quest for auctoritas.
Description: Thesis (Master, Classics) -- Queen's University, 2009-09-14 18:14:44.877</description>
    <dc:date>2009-09-16T22:35:16Z</dc:date>
  </item>
</rdf:RDF>

