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    The Myth of Participatory Art: An Analysis of the Contradictions Present in Marina Abramović’s The Artist is Present and Hélio Oiticica’s Parangolés 

    Benson, Rebecca (2014-09-30)
    Participatory artworks, despite the efforts of artists and theorists alike, remain commodifiable, highly profitable, and ultimately support the conception of the artist as a singular genius. These works must negotiate the ...

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    Author
    Benson, Rebecca (1)
    SubjectClaire Bishop (1)Collective Art (1)Hélio Oiticica (1)Marina Abramović (1)Paradox (1)Participatory Art (1)Relational Aesthetics (1)... View MoreDate Published
    2014 (1)

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