This painted wood sculpture of the Madonna and Child stands on what looks to be an integral base, on which an inscription identifies her as Mary "Bentornata" (more or less "welcome back"). Mary smiles, as her child tickles ...

Michele da Firenze specialized in terracotta -- though he is documented also as a stonecarver, only his works in terracotta survive. This under lifesize statue of the Madonna and Child (known as the Madonna delle Lacrime) ...

This relief, made of marble, partially gilded with coloured glass inserts, is set into the elaborate nineteenth century Lombardi funereal monument in the wall of the Medici Chapel in Santa Croce in Florence. The composition ...

The original location of this almost life-size glazed terracotta Madonna is unknown. In the eighteenth century it was donated to the Oratorio di San Tommaso d'Aquino, Florence, where it remains today in relative obscurity, ...

This glazed terracotta relief is a variation on a popular composition that seems to have been created originally by Andrea del Verrocchio, known as the Madonna of the Cushion or Birmingham Madonna. Buglioni has copied quite ...

This polychromed stucco relief of the Madonna and Child is found today in the Fondazione Salvatore Romano. On the base of the work are the words spoken by Gabriel to Mary at the Annunciation: "AVE MARIA GRATIA (PLENA)." ...

This painted terracotta relief is one of many half-length images of the Madonna and Child that were made for domestic devotion in the fifteenth century. This intimate composition, with the Jesus nestled against his mother, ...

This poorly preserved painted stucco relief is one of many half-length images of the Madonna and Child that were made for domestic devotion in the fifteenth century. This intimate composition, with the faces of the figures ...

Andrea Pisano's marble relief of the Madonna and Child with maiolica insets was originally located above the north door of the campanile, or bell tower, beside the cathedral in Florence. The striking blue colour of the ...

This sculpture, originally located on the façade of Santa Maria del Fiore in Florence, was removed in the sixteenth century when plans were underway for a new façade for the cathedral to be created. The sculpture is made ...