This image of Christ the Redeemer one of many terracotta busts of Christ produced by Verrocchio, his workshop, and his followers in the late fifteenth and early sixteenth centuries. The physical features of Christ are close ...

This painted bust dated to the first quarter of the sixteenth century loosely resembles an image type known as Christ the Redeemer that was popularized by Verrocchio and his workshop in the late quattrocento. The prototype ...

This painted terracotta bust of Christ, with a wooden halo, located today in the Museo Bandini in Fiesole, was created by the workshop of Benedetto da Maiano. This is one of many such terracotta busts of Christ produced ...

This painted terracotta bust of Christ, is attributed to Agnolo di Polo (b. 1470 d. 1526), a follower of Verrocchio. This is one of many such terracotta busts of Christ produced by Verrocchio, his workshop, and his followers ...

This glazed terracotta bust of Christ (currently housed in the sacristy of Santa Croce in Florence) has been attributed to Andrea della Robbia. The bust is loosely modelledon what was a popular type of image in the late ...

This painted terracotta relief recalls classical models, with the strict profile (with a Roman nose), the cropping of the figure into a bust, and the treatment of the hair and beard. It follows a fashion for images of ...

This terracotta sculpture is attributed to Agnolo di Polo (b. 1470 d. 1526), a follower of Verrocchio and collaborator of Giovanni della Robbia (to whom this sculpture has also been attributed). This three-quarter length ...