Andrea della Robbia made these glazed terracotta statues of the Annunciate Virgin and the Angel Gabriel to flank the high altar in the Osservanza in Siena. Andrea also created an altarpiece and two roundels of saints for ...

These two painted wood sculptures, which once formed an Annunciation, have suffered extensive damage. Gabriel has lost the left arm and some fingers on the right, as well as wings, but Mary has suffered more drastically, ...

This pair of sculptures forms an Annunciation. As for other works from this time, the angel has lost his wings, which were presumably originally made of wood or possibly a more ephemeral material, maybe fabric or even ...

These painted wooden sculptures of the Archangel Gabriel and the Annunciate Virgin form an Annunciation. These kind of Annunciation pairs were popular in Siena and the surrounding area in the fourteenth and fifteenth ...

These sculptures of the Annunciate Virgin and the Archangel Gabriel were likely made to serve together as an Annunciation, though they were made a year apart and by two different artists. Inscriptions on the bases reveal ...

Francesco di Valdambrino, Jacopo della Quercia, and other Sienese artists made many of these pairs of large (almost life-size) statues of the the Angel Gabriel and the Virgin Mary, possibly to stand in niches on either ...

Francesco di Valdambrino, Jacopo della Quercia, and other Sienese artists made many of these pairs of large (almost life-size) statues of the Angel Gabriel and the Virgin Mary, possibly to stand in niches on either side ...

This painted wood statue of the Annunciate Virgin was long thought to be the work of Nino Pisano (active in the late trecento), but then a cleaning in 1947 revealed the following inscription: A. A. MCCCXXI. AGUSTINUS ...

This painted wood sculpture of the Virgin Annunciate (from Santa Maria del Carmine, Pisa, and now in the Museo di San Matteo, Pisa) has been attributed to an artist that scholars call the Maestro di Montefoscoli, because ...

This poorly statue in the Museo di San Matteo in Pisa is missing the left arm and part of the right, and only has polychrome partially preserved on the face and neck. Bare wood, stucco, and what look like worm holes attest ...