This large crucifix, currently housed in the museum of the Cenacolo di Sant'Apollonia in Florence, was made by Raffaello da Montelupo in 1537-40. Raffaello, the son of Baccio da Montelupo (also a sculptor of crucifixes), ...

This crucifix in Sant'Agostino in Montepulciano has been attributed convincingly by Margrit Lisner to Antonio da Sangallo the elder, who was in Montepulciano to oversee the construction of the church of San Biagio (1518-28). ...

This crucifix, which comes from Santa Chiara in Montepulciano and is currently housed in the Museo Civico, appears to be made of painted wood, with metal nails and a loincloth made by dipping a piece of cloth in gesso and ...

This trecento crucifix, made of painted wood, is in Santissima Annunziata in Arezzo, but seems to follow Sienese models and so may be by a Sienese sculptor or by a local Aretine imitating a Sienese example. The refined, ...

This under-life-size crucifix (made out of painted wood) has been attributed to Giovanni Pisano himself after cleaning revealed the abraided original surface under many layers of heavy repaint. The restoration also returned ...

This large crucifix from Sant'Antonio in Montalcino (currently housed in the Museo Civico e Diocesano d'Arte Sacra, Montalcino) has been dated on the basis of style to c. 1330-50. The attenuated body, hanging low on the ...

This painted wood crucifix, currently housed in the Cappella della Pura in Santa Maria Novella in Florence, offers a particularly grim image of Christ's suffering body: painfully thin with protruding bones, slumping low ...

This powerfully muscular crucifix is not made of painted wood, as almost all crucifixes are in the period. Instead, the figure is assembled from layers of cork, held together with tow (unspun flax or hemp fibers) and reeds. ...