Gentilini and others attribute this rare full-length slazed terracotta statue of the Madonna and Child to the young Andrea della Robbia, possibly working from drawings by Luca della Robbia. This work was made in 1460, just ...

This glazed terracotta altarpiece (in San Michele Arcangelo, Foiano della Chiana) is a smaller version of Andrea della Robbia's altarpiece of the same subject in La Verna, mimicking closely the arrangement of the figures, ...

Today, this polychrome stucco relief is found in the Fondazione Salvatore Romano. It is dated to the first half of the fifteenth century. Restoration has revealed traces of gilding in Mary's hair, along her robe, and the ...

Over a century after this crucifix was made (c. 1408), Vasari recounted an anecdote about this crucifix. The tale goes that when Brunelleschi saw this crucifix, he said that Christ looked like a farmer. Donatello challenged ...

This painted and gilded stucco relief of the Madonna and Child adored by angels is attributed to the young Luca della Robbia in c. 1430. A bronze version of the composition survives in the Ashmolean Museum. Such images of ...

This low relief, made of painted plaster of paris, is a copy of a relief made by someone in the circle of Antonio Rossellino in ca. 1465. Many such low reliefs images of the Madonna and Child were reproduced using molds. ...

Over a century after this crucifix was made (likely 1410-15), Vasari recounted an anecdote about this crucifix. The tale goes that when Brunelleschi saw Donatello's Santa Croce crucifix, he said that Christ looked like a ...

This crucifix, currently housed in the sacristy of Santa Maria Novella in Florence, was previously on the altar of the Trinity in the left aisle of the church. Margrit Lisner attributes it on the basis of style to Maso di ...

This glazed terracotta lunette of the Madonna and Child with angels, along with the glazed terracotta ornament on the barrel vault above, was commissioned in 1504 , brought to Pistoia in July 1505, and installed by the ...

This painted wood statue of the Ecce Homo is currently housed in the Cathedral of Volterra. It is not clear whether it was originally a part of a larger group, illustrating the narrative, or whether this was always a single ...