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dc.contributor.authorunknown artist (after Bernardo Rossellino)en_US
dc.date.accessioned2018-05-07T15:44:01Z
dc.date.available2018-05-07T15:44:01Z
dc.date.created1434-1500en_US
dc.identifier.citationAnne Markham Schulz, The Sculpture of Bernardo Rossellino and his Workshop (Princeton: Princeton UP, 1977), 92.en_US
dc.identifier.urihttp://hdl.handle.net/1974/24157
dc.descriptionMuseo Nazionale d'Arte Medievale e Moderna, Arezzo; Collezione Fraternita dei Laici, Arezzoen_US
dc.description.abstractThis work was long thought by scholars to be Bernardo Rossellino's small terracotta model for his stone Madonna of the Misericordia (Madonna del Manto) for the façade of the Palazzo della Fraternità in Arezzo. Anne Markham Schulz has convincingly argued that this is instead a work done by an unknown artist after Rossellino's monumental relief, as the figures that are large scale and projecting in high relief (namely the Madonna and Child) are almost identical in the terracotta, but those that would be more difficult, if not impossible, to see from the ground are done quite differently. This painted and gilded terracotta sculpture is housed in the Museo Nazionale in Arezzo. Photograph(s) licensed under a Creative Commons Attribution 4.0 International Licenseen_US
dc.format.mediumPainted terracottaen_US
dc.subjectMadonnaen_US
dc.subjectMisericordiaen_US
dc.subjectVirginen_US
dc.subjectMaryen_US
dc.titleMadonna della Misericordiaen_US
dc.typeImageen_US
dc.rights.holderUna D'Eliaen_US
dc.rights.licenseThis work is licensed under a Creative Commons Attribution 4.0 International Licenseen_US


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