Show simple item record

dc.contributor.authorAgnolo di Poloen_US
dc.date.accessioned2018-09-06T14:45:21Z
dc.date.available2018-09-06T14:45:21Z
dc.date.created1526-7en_US
dc.identifier.citationMarco Botti, "La Cappella Spadari della Santissima Annunziata," Amaranto Magazine (2009), http://www.amarantomagazine.it/news_dett.php?id=652en_US
dc.identifier.urihttp://hdl.handle.net/1974/24523
dc.descriptionSantissima Annunziata, Arezzoen_US
dc.description.abstractA recent restoration (completed in 2009) of these terracotta sculptures in the Cappella Spadari of Santissima Annunziata in Arezzo found that the later polychromy covered an original thin transparent layer of beeswax, albumin and silicates directly coating the terracotta, and so the later colouring was removed, revealing mostly unpainted terracotta figures (with the exception of the darkened pupils). These sculptures are late works of Agnolo di Polo, whom Vasari describes as a student of Verrocchio. Agnolo and a few others in the Cinquecento experimented with leaving their terracotta sculptures largely or completely unpainted. Photograph(s) licensed under a Creative Commons Attribution 4.0 International License.en_US
dc.format.mediumTerracottaen_US
dc.subjectMadonnaen_US
dc.subjectChilden_US
dc.subjectSt. Francisen_US
dc.subjectSt. Rocheen_US
dc.subjectGod the Fatheren_US
dc.subjectMaryen_US
dc.titleMadonna and Child with Saints Francis and Roche and God the Fatheren_US
dc.typeimageen_US
dc.rights.holderUna D'Eliaen_US
dc.rights.licensePhotograph(s) licensed under a Creative Commons Attribution 4.0 International Licenseen_US


Files in this item

Thumbnail
Thumbnail
Thumbnail
Thumbnail

This item appears in the following Collection(s)

Show simple item record