• Login
    View Item 
    •   Home
    • Scholarly Contributions
    • Art History and Art Conservation, Department of
    • Renaissance Polychrome Sculpture in Tuscany
    • View Item
    •   Home
    • Scholarly Contributions
    • Art History and Art Conservation, Department of
    • Renaissance Polychrome Sculpture in Tuscany
    • View Item
    JavaScript is disabled for your browser. Some features of this site may not work without it.

    Justice, Prudence, Temperance, Fortitude, and the Holy Spirit (Ceiling of the Chapel of the Cardinal of Portugal)

    Thumbnail
    View/Open
    L_Robbia_Chapel_Dome_SanMiniato.jpg (8.066Mb)
    L_Robbia_Chapel_SanMiniato.jpg (1.962Mb)
    Luca-della-Robbia-Miniato-HolySpirit.JPG (5.674Mb)
    Luca-della-Robbia-Miniato-Prudence.JPG (5.559Mb)
    Luca-della-Robbia-Miniato-Justice.JPG (5.562Mb)
    Luca-della-Robbia-Miniato-Justice-detail.JPG (5.195Mb)
    Luca-della-Robbia-Miniato-Prudence-detail.JPG (5.253Mb)
    Author
    Luca della Robbia
    Metadata
    Show full item record
    Abstract
    This domed ceiling of glazed terracotta, featuring allegorical personifications of the four cardinal virtues (Temperance, Prudence, Justice, and Fortitude) and the Holy Spirit, was executed by Luca della Robbia in 1461-2. It is a part of a larger chapel in San Miniato al Monte in Florence, in which the tomb of James of Lusitania, Cardinal of Portugal, who died in Florence just a couple of years before in 1459, is found. The ceiling caps the complex and harmonious decorative programme of architecture, sculpture, and painting in this chapel. The Holy Spirit is in the central rondel, surrounded by the candlesticks that represent the seven gifts. The Virtues, each sculpted three-quarter length in high relief, are also galzed the brilliant Della Robbia white, set against a concave blue ground, their active forms echoing the circles that frame them. Rather than remaining symbolic abstractions, the Virtues twist and seem to look and gesture down to the cardinal's tomb below. The interstices are richly decorated with glazed terracotta frames, scallop-shaped tiles in a sophisticated gradation of blues, set against manganese purple, and illusionistic cubes. These forms of polychrome decoration (particularly the cubes) come from ancient Rome, and the figures are also classically inspired. Terracotta is a classical medium, described in Pliny, but the glazing was famously Luca's modern invention. Photograph(s) licensed under a Creative Commons Attribution 4.0 International.
    URI for this record
    http://hdl.handle.net/1974/24776
    Collections
    • Renaissance Polychrome Sculpture in Tuscany
    Request an alternative format
    If you require this document in an alternate, accessible format, please contact the Queen's Adaptive Technology Centre

    DSpace software copyright © 2002-2015  DuraSpace
    Contact Us
    Theme by 
    Atmire NV
     

     

    Browse

    All of QSpaceCommunities & CollectionsPublished DatesAuthorsTitlesSubjectsTypesThis CollectionPublished DatesAuthorsTitlesSubjectsTypes

    My Account

    LoginRegister

    Statistics

    View Usage StatisticsView Google Analytics Statistics

    DSpace software copyright © 2002-2015  DuraSpace
    Contact Us
    Theme by 
    Atmire NV