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dc.contributor.authorSchroeder, Helenaen
dc.date.accessioned2018-12-05T19:56:55Z
dc.date.available2018-12-05T19:56:55Z
dc.identifier.urihttp://hdl.handle.net/1974/25861
dc.description.abstractThis dissertation explores the representation of early Anabaptism and Mennonitism in the visual culture of the Dutch Republic (1585-1795). Polemical and satirical imagery critical of Anabaptism circulated alongside artworks presenting Anabaptist theological heritage in a positive light. Book illustrations offer the most frequent site for representation, joined by broadsheets, print series, and a few drawings and paintings. While historians and theologians, working from literary and archival materials, have traced the complex evolution of Dutch Mennonite theology and culture from the sixteenth century through the Enlightenment, this study brings a new, interdisciplinary application of these findings to the analysis of visual representations that interpreted 16th-century Dutch Anabaptism for 17th- and 18th-century viewers. Polemical critiques were the first to represent the group’s early history, establishing iconographical conventions that persisted for centuries. Most widely depicted were early Anabaptist insurrections at Münster and Amsterdam, portraits of Münsterite leaders, and the controversial practice of adult baptism. Illustrations appeared in historical accounts, anti-sectarian treatises, heretic biographies, city descriptions, and religious ethnographies, as well as emblems and allegories. Meanwhile, Mennonites themselves were slower to produce or commission apologetical imagery supporting their long-established efforts to distance themselves from Münsterite violence and promote the pacifist ideals advocated by leaders such as Menno Simons. Martyrology illustrations, beginning with frontispieces and culminating in depictions of specific events engraved by Jan Luyken for the Martyrs Mirror (1685), boldly aligned the suffering and executions of 16th-century Anabaptists with the martyrs of the apostolic age and the early church. The images considered here, many of which have not been examined before, were produced and circulated at a time when Mennonites were becoming increasingly assimilated and engaged in the cultural and economic fabric of Dutch society. Consideration of a range of images in relationship to their literary and socio-historical contexts of display demonstrates the diverse roles played by visual representation in supporting, spreading, and sometimes challenging prevailing attitudes toward Anabaptist-Mennonite tradition in the Dutch Republic. This analysis demonstrates how the opposing visual tropes of the Anabaptist as heretic and as martyr both operated as powerful polemical and apologetical tools in Dutch literature and visual art.en
dc.language.isoengen
dc.relation.ispartofseriesCanadian thesesen
dc.rightsCC0 1.0 Universalen
dc.rightsQueen's University's Thesis/Dissertation Non-Exclusive License for Deposit to QSpace and Library and Archives Canadaen
dc.rightsProQuest PhD and Master's Theses International Dissemination Agreementen
dc.rightsIntellectual Property Guidelines at Queen's Universityen
dc.rightsCopying and Preserving Your Thesisen
dc.rightsThis publication is made available by the authority of the copyright owner solely for the purpose of private study and research and may not be copied or reproduced except as permitted by the copyright laws without written authority from the copyright owner.en
dc.rights.urihttp://creativecommons.org/publicdomain/zero/1.0/
dc.subjectDutch Art Historyen
dc.subjectAnabaptismen
dc.subjectAnabaptist Studiesen
dc.subjectMennonite Studiesen
dc.subjectDutch Baroque Arten
dc.subjectVan Sichemen
dc.subjectHortensiusen
dc.subjectJan Luykenen
dc.subjectMartyrs Mirroren
dc.subjectMartyrologyen
dc.subjectDutch Republicen
dc.subjectPrintmakingen
dc.subjectPolemicsen
dc.subjectSatireen
dc.subjectBook historyen
dc.subjectChurch historyen
dc.subjectMaterial cultureen
dc.subjectBook illustrationen
dc.subjectVan Braghten
dc.titleHeretics and Martyrs: Picturing Early Anabaptism in Visual Culture of the Dutch Republicen
dc.typethesisen
dc.description.degreePhDen
dc.contributor.supervisorDickey, Stephanieen
dc.contributor.departmentArt Historyen
dc.embargo.termsI would like to restrict my thesis for the full five year period. I am requesting this because I would like to pursue publication opportunities building upon my PhD dissertation findings. My supervisor Dr. Stephanie Dickey supports me in this decision.en
dc.embargo.liftdate2023-11-30T13:38:51Z
dc.degree.grantorQueen's University at Kingstonen


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CC0 1.0 Universal
Except where otherwise noted, this item's license is described as CC0 1.0 Universal