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dc.contributor.authorYoung, Lindsayen
dc.date.accessioned2020-04-21T20:21:33Z
dc.date.available2020-04-21T20:21:33Z
dc.identifier.urihttp://hdl.handle.net/1974/27720
dc.description.abstractThis dissertation examines two intersecting historical influences on Victorian supernatural fiction: commodity-driven cultures of object production and exchange, and discourses of nineteenth-century biological sciences. I argue that the appropriation of commodity-oriented and scientific languages in occult fiction and non-fiction coincided with a mass cultural shift in thought with regard to the soul, what it was made of in a material sense, and by extension, how it functioned. Authors were more and more drawn to spectral imageries that involved disassembly, reorientations of function, and fluid materiality that imagined the soul as something more readily preserved and made readable through material objects. As a result of Victorian commodity culture and professionalized science, depictions of spiritual and emotional transformations were more readily and complexly visualized as material exchanges that imbued the symbols of industrial and commodity-driven life with new relevance for ethical, spiritual life in the nineteenth century. Examining both the figure of the ghost as a site where boundaries between material and immaterial are often necessarily reinterpreted, and more abstract representations of the materialized soul such as the haunted portrait of Wilde’s Picture of Dorian Gray, this dissertation examines how supernatural fiction facilitated conversations pertaining to the adaptation of industrial and scientific life into a new imagined realm of ‘modern’ spiritual existence.en
dc.language.isoengen
dc.relation.ispartofseriesCanadian thesesen
dc.rightsQueen's University's Thesis/Dissertation Non-Exclusive License for Deposit to QSpace and Library and Archives Canadaen
dc.rightsProQuest PhD and Master's Theses International Dissemination Agreementen
dc.rightsIntellectual Property Guidelines at Queen's Universityen
dc.rightsCopying and Preserving Your Thesisen
dc.rightsThis publication is made available by the authority of the copyright owner solely for the purpose of private study and research and may not be copied or reproduced except as permitted by the copyright laws without written authority from the copyright owner.en
dc.subjectghost fictionen
dc.subjectcommodity cultureen
dc.subject19th-century scienceen
dc.subjectvictorian literatureen
dc.titleSpectral Objecthood: Biology, Assembly, and the Ghostly Body in Eighteenth- and Nineteenth-Century Popular Fictionen
dc.typethesisen
dc.description.degreePhDen
dc.contributor.supervisorKing, Shelley
dc.contributor.departmentEnglish Language and Literatureen
dc.embargo.termsI would like to turn much of the material into a monograph within the next five years.en
dc.embargo.liftdate2025-04-21T15:30:53Z
dc.degree.grantorQueen's University at Kingstonen


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