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dc.contributor.authorSchwartz, Jennifer
dc.contributor.otherQueen's University (Kingston, Ont.). Theses (Queen's University (Kingston, Ont.))en
dc.date2012-12-20 17:04:10.317en
dc.date.accessioned2013-01-04T15:15:36Z
dc.date.available2013-01-04T15:15:36Z
dc.date.issued2013-01-04
dc.identifier.urihttp://hdl.handle.net/1974/7711
dc.descriptionThesis (Master, French) -- Queen's University, 2012-12-20 17:04:10.317en
dc.description.abstractRobert Lepage’s play The Dragons’ Trilogy stretches across space and time, travelling through three generations and three major Canadian cities, each section named for a dragon in the Chinese game Mahjong. The Blue Dragon continues the story of Pierre Lamontagne twenty years later, and in doing so, rounds out and completes the cycle of the three Dragons of The Dragons’ Trilogy. This thesis studies the evolution of Lepage’s treatment of the Other and the Self in The Dragons’ Trilogy and The Blue Dragon. Grouping these two plays together should be a foregone conclusion, because of the titles of each section and the character of Pierre Lamontagne, who appears in both plays, but it has in fact been discussed very little. This thesis thus examines the transformation of characters such as Pierre, who, from one play to the other, and through language and space, find the Other in the Self. To address this issue, the second chapter explores the question of plurilingualism, in order to show how the plurality of languages in the plays and among the characters promotes the ideal of communication and communion with the Other. In the third chapter, the thesis examines the theatrical space of the two plays; from the closed-off city of Québec during the 1930s in The Green Dragon to Pierre Lamontagne’s intimate and modern loft in The Blue Dragon, the imagined worlds perfectly mirror the interior journeys of the characters. Finally, the last chapter, which studies the characters, focuses on the question of stereotypes, the quests for identity, and the role artistic creation plays within these quests. Ultimately, this thesis demonstrates that in The Dragons’ Trilogy and The Blue Dragon, although Otherness may at first appear to be the opposite of Self, it is in fact found within identity.en_US
dc.languageenen
dc.language.isofren_US
dc.relation.ispartofseriesCanadian thesesen
dc.rightsThis publication is made available by the authority of the copyright owner solely for the purpose of private study and research and may not be copied or reproduced except as permitted by the copyright laws without written authority from the copyright owner.en
dc.subjectPlurilinguismeen_US
dc.subjectLe Dragon bleuen_US
dc.subjectLa quête identitaireen_US
dc.subjectLangueen_US
dc.subjectOrientalismeen_US
dc.subjectEspaceen_US
dc.subjectTrilogyen_US
dc.subjectLa Trilogie des dragonsen_US
dc.subjectDragonen_US
dc.subjectL'Autreen_US
dc.subjectAltéritéen_US
dc.subjectSoien_US
dc.subjectPersonnageen_US
dc.subjectIdentitéen_US
dc.subjectStéréotypesen_US
dc.subjectClichésen_US
dc.subjectRobert Lepageen_US
dc.subjectPierre Lamontagneen_US
dc.titleL'Autre en Soi : l'identité entre deux mondes dans la Trilogie des dragons et le Dragon bleu de Robert Lepageen_US
dc.typeThesisen_US
dc.description.degreeMasteren
dc.contributor.supervisorBénard, Johanneen
dc.contributor.departmentFrenchen


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