Counter-Strike & Wetworks

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Authors

Pora, Andrei

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thesis

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eng

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game studies , fiction , war , formalism , post-cold war , cinema , research creation , curatorial studies

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Abstract

This research creation project is comprised of a film and essay that investigates what happens to objects when they circulate through real worlds, fictional worlds, personal memory, and public archives. By following the journey of the Kalashnikov assault rifle—an object made notorious through its depiction in news media, movies and video games—as it transits these different phases, we will see how the rifle’s “value” is modified by the different contexts it finds itself in. To better understand these changes in value-state and context, a critical analysis of the first person shooter Counter-Strike will be conducted. What effects do Counter-Strike’s form, logic and relationship to the world as a fictional model of it have on our understanding of the complex, multilayered realities we live in? Can these gamelike models be reclaimed/repurposed via “modding” to navigate the increasingly blurred threshold of real life and fictional worlds, and to put into dialog objects from such seemingly disparate domains such as the military, entertainment, economics and Western art history?

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Queen's University's Thesis/Dissertation Non-Exclusive License for Deposit to QSpace and Library and Archives Canada
ProQuest PhD and Master's Theses International Dissemination Agreement
Intellectual Property Guidelines at Queen's University
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This publication is made available by the authority of the copyright owner solely for the purpose of private study and research and may not be copied or reproduced except as permitted by the copyright laws without written authority from the copyright owner.
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