'An Ancillary Weapon’: Cultural Diplomacy and Nation-building in Cold War Canada, 1945-1967
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Authors
Miller, Kailey
Date
2015-10-15
Type
thesis
Language
eng
Keyword
Canada-Soviet Relations , Canada , Expo 67 , Nation-Building , Cold War , Cultural Diplomacy , Performing Arts
Alternative Title
Abstract
This dissertation is a study of Canada’s cultural approaches toward the Communist world – particularly in the performing arts – and the ways in which the public and private sectors sought to develop Canada’s identity during the Cold War. The first chapter examines how the defection of Igor Gouzenko in 1945 framed the Canadian state’s approach to the security aspects of cultural exchanges with the Soviet Union. Chapters 2 to 4 analyse the socio-economic, political, and international context that shaped Canada's music, classical theatre, and ballet exchanges with communist countries. The final chapter explores Expo ’67’s World Festival of Arts and Entertainment as a significant moment in international and domestic cultural relations. I contend that although focused abroad, Canada’s cultural initiatives served a nation-building purpose at home. For practitioners of Canadian cultural diplomacy, domestic audiences were just as, if not more, important as foreign audiences.
Description
Thesis (Ph.D, History) -- Queen's University, 2015-09-20 15:02:46.022
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ProQuest PhD and Master's Theses International Dissemination Agreement
Intellectual Property Guidelines at Queen's University
Copying and Preserving Your Thesis
This publication is made available by the authority of the copyright owner solely for the purpose of private study and research and may not be copied or reproduced except as permitted by the copyright laws without written authority from the copyright owner.