Reading Beyond Irony: Exploring the Post-secular “End” of Postmodernism in David Foster Wallace

Loading...
Thumbnail Image

Authors

Minifie, Shannon

Date

Type

thesis

Language

eng

Keyword

David Foster Wallace

Research Projects

Organizational Units

Journal Issue

Alternative Title

Abstract

David Foster Wallace’s self-described attempt to move past the “ends” of postmodernism has made for much scholarly fodder, but the criticism that has resulted focuses on Wallace’s supposed attempts to eschew irony while neglecting what else is at stake in thinking past these “ends.” Looking at various texts across his oeuvre, I think about Wallace’s way “past” postmodern irony through his engagement with what has come to be variously known as the “postsecular.” Putting some of his work in conversation with postsecular thought and criticism, then, I aim to provide a new context for thinking about the nature of Wallace’s relationship to religion as well as to late postmodernism. My work builds on that of critics like John McClure, who have challenged the established secular theoretical frameworks for postmodernism, and argue that such post-secular interventions provide paradigmatic examples of the relationship between postmodernism and post-secularism, where the latter, as an evolution or perhaps a mutation of the former, signals postmodernism’s lateness—or at least its decline as a culturalhistorical dominant. I also follow other Wallace critics in noting his spiritual and religious preoccupations, building on some of the great work that has already been done to explore his religious and post-secular leanings. Noting similarities between the post-secular perspective, which admits that the role of religion in the postmodern (and beyond) must be reconsidered, and a key function of irony, which is to create an ambiguous space of reflection and complexity, I show that irony in Wallace’s work is a strategy not necessarily to undermine in order to ridicule the spiritual or religious ideas his characters represent in these texts; but rather, because irony is not only a dissembling tool but also a way of destabilizing meaning in the text, it serves to create a constructive tension which opens up a tenuous middle position that ironists and post-secularists always inhabit.

Description

Citation

Publisher

License

Queen's University's Thesis/Dissertation Non-Exclusive License for Deposit to QSpace and Library and Archives Canada
ProQuest PhD and Master's Theses International Dissemination Agreement
Intellectual Property Guidelines at Queen's University
Copying and Preserving Your Thesis
This publication is made available by the authority of the copyright owner solely for the purpose of private study and research and may not be copied or reproduced except as permitted by the copyright laws without written authority from the copyright owner.

Journal

Volume

Issue

PubMed ID

External DOI

ISSN

EISSN