Noli me tangere

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Agnolo di Polo, attributed to

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St. Mary Magdalene , Noli me tangere

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Abstract

This painted terracotta sculpture is in one of the chapels of the Sacro Monte at San Vivaldo. The Sacro Monte (literally sacred mountain) is a pilgrimage site built by the Franciscans. Small chapels each contain painted terracotta sculptures with events from the Passion of Christ. These chapels are arranged on the hilly terrain so that they evoke the actual geography in the Holy Land of the places in which the events occurred. In a time in which pilgrimage to the Holy Land was for the most part impossible (because the territory was under Muslim control), the Sacro Monte offered a substitute or a simulacrum that was thought to be efficacious. In 1516, at the request of the Franciscans of San Vivaldo, Pope Leo X promulgated a brief granting indulgences (time off purgatory) to all who visited the site, which made it a major pilgrimage destination. At this and other Sacri Monti (of which there are several in Lombardy and Piedmont), devotees were to come in penitence, perhaps at night with a lantern, and move from chapel to chapel saying prayers. The encounter between Mary Magdalene and the Resurrected Christ, depicted here, is supposed to have occurred in a garden, near Christ's tomb, and so this chapel has been placed next to that of the Holy Sepulchre. The sculpture of Jesus has been mutilated, the upper part recently stolen. The sculpture of Mary Magdalene has been attributed on the basis of style to Agnolo di Polo, a follower of Verrocchio who specialized in terracotta. Photograph(s) licensed under a Creative Commons Attribution 4.0 International License.

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Sacro Monte, San Vivaldo (Montaione)

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Antonio Paolucci, Guida di S. Vivaldo (S. Vivaldo: Frati Minori di S. Vivaldo, 1976); Lorenzo Lorenzi, "Le terrecotte policrome di San Vivaldo," in Una "Gerusalemme" toscana sullo sfondo di due giubilei 1500-1525, ed. Sergio Gensini (Montaione: SISMEL, 2004), 109-20; Rosanna Caterina Proto Pisani, ed., La Gerusalemme di San Vivaldo (Florence : Polistampa, 2006), cat. 17, pp. 91-2.

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