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dc.contributor.authorSimedoh, Kokou Vincenten
dc.date2008-04-01 11:23:19.947
dc.date.accessioned2008-04-02T17:38:39Z
dc.date.available2008-04-02T17:38:39Z
dc.date.issued2008-04-02T17:38:39Z
dc.identifier.urihttp://hdl.handle.net/1974/1080
dc.descriptionThesis (Ph.D, French) -- Queen's University, 2008-04-01 11:23:19.947en
dc.description.abstractHumour and Irony are identity markers that have long since been associated with Sub-Saharan francophone literary works. Intimately linked to Africa throughout the years, humour and irony have evolved hand to hand with socio-political situation of the continent and fulfill several functions: denouncing through laughter, varying sorts of injustices, playing down the tragic nature of a given situation and subverting individual or collective values. However, and perhaps more importantly, humour and irony belong the category of what Roland Barthes calls "verbal expedients" which allow a writer to avoid common and inadequat usage of language. In this way, we show by using the theorical frameworks of Bergson, Schopenhauer, Jankelevitch, Escarpit and Genette among many others just how humour and irony create a particular vision, one that shows the multiple ways in which we can perceive the world around us. They make possible the representation of what is undeniably real and bring out polysemous meannings(s) in that which may at first appear incongruous. Given the numerous interpretations that humour and irony offer for a given situation, theses devices thus constitute strategies that build different esthetics within the novel as a literary genre. The latter becomes a sort of semantic playgroung where the specific forms of humour and irony develop: parody, derision, sarcasm,the grotesque and the farce. It is in this way that a veritable "poetics oflaughter" becomes apparent within the novels that we have examined.en
dc.format.extent1589022 bytes
dc.format.mimetypeapplication/pdf
dc.language.isofraen
dc.relation.ispartofseriesCanadian thesesen
dc.rightsThis publication is made available by the authority of the copyright owner solely for the purpose of private study and research and may not be copied or reproduced except as permitted by the copyright laws without written authority from the copyright owner.en
dc.subjecthumouren
dc.subjectlittérature africaineen
dc.subjectironyen
dc.titlel'Humour et l'ironie en litterature francophone subsaharienne. Une poétique du rireen
dc.typethesisen
dc.description.degreePhDen
dc.contributor.supervisorNshimiyimana, Eugeneen
dc.contributor.departmentFrenchen
dc.degree.grantorQueen's University at Kingstonen


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