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dc.contributor.authorGellman, Mimien
dc.date.accessioned2020-01-09T16:28:04Z
dc.date.available2020-01-09T16:28:04Z
dc.identifier.urihttp://hdl.handle.net/1974/27540
dc.description.abstractAlthough many scholars have written about the relationships between land, mapping, power relations, and sovereignty, very few have explored the relationship between the imbricated fields of Aboriginal mapping, Indigenous aesthetics and placemaking, and the ways in which Aboriginal maps, both customary and contemporary, contribute to the conversation about remembering, Indigenous knowledge production, and cultural survivance.1 If maps construct rather than reproduce the world (Wood 2008: 92), how can the documentation and creation of an Indigenous mapping archive assist in bringing forward Indigenous worldviews, in particular those that emphasize the significant interrelationships between land, aesthetics, and Indigenous senses of place? To date no such archive exists. This doctoral project sets out to conceptualize and design a mobile Indigenous mapping archive that will carry within its walls an exhibition of Indigenous artists’ maps, a mapping library, two digital interfaces, Indigenous teachings, and ceremonial artifacts. The importance of this archive lies in its ability to assist settler and Indigenous communities to mutually grapple with how land matters to Indigenous Peoples in what is now known as Canada, and specifically with the gap between “what is known and what is merely seen” (Wood 2008: 92).en
dc.language.isoengen
dc.relation.ispartofseriesCanadian thesesen
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 United Statesen
dc.rightsQueen's University's Thesis/Dissertation Non-Exclusive License for Deposit to QSpace and Library and Archives Canadaen
dc.rightsProQuest PhD and Master's Theses International Dissemination Agreementen
dc.rightsIntellectual Property Guidelines at Queen's Universityen
dc.rightsCopying and Preserving Your Thesisen
dc.rightsThis publication is made available by the authority of the copyright owner solely for the purpose of private study and research and may not be copied or reproduced except as permitted by the copyright laws without written authority from the copyright owner.en
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/us/
dc.subjectIndigenous Aestheticsen
dc.subjectAboriginal Cartographyen
dc.subjectIndigenous Archivesen
dc.subjectIndigenous Studiesen
dc.subjectSenses of Placeen
dc.subjectReconciliationen
dc.subjectCultural Studiesen
dc.subjectDesignen
dc.titleBetween the Dreamtime and the GPS / The Metaphysics of Indigenous Mappingen
dc.typethesisen
dc.description.degreePhDen
dc.contributor.supervisorJessup, Lyndaen
dc.contributor.departmentCultural Studiesen
dc.embargo.termsIntention to publish a booken
dc.embargo.liftdate2025-01-09T15:26:35Z
dc.degree.grantorQueen's University at Kingstonen


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Attribution-NonCommercial-NoDerivs 3.0 United States
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivs 3.0 United States